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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

Divine Scripture or Total Nun-Sense?

Peter Haughan’s Conclave (2024) brilliantly turns papal politics into a high-stakes chess match, with Cardinal Lawrence caught between faith and ambition. Sharp and suspenseful, the film builds intrigue with precision—until a last-minute twist feels more like divine intervention than deft storytelling.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

In Memoriam - How David Lynch Gets Under Your Skin

David Lynch doesn’t just tell stories; he dreams them, leaving us to stumble through the haze of meaning. Mulholland Drive is a triumph of contradictions—Hollywood glamour and noir grit, dream logic and cold reality, plot threads abandoned like pearls in a car crash. Lynch insists it’s a coherent tale, but let’s face it: it’s more fun as a cinematic Rorschach test. You don’t solve Mulholland Drive; you surrender to it.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

How To Make Your Audience Care - A Challengers Analysis 

Challengers masterfully transforms a niche tennis drama into a poignant exploration of love, rivalry, and obsession. The clever in media res structure, layered subtext, and morally ambiguous choices create a narrative that is urgent, messy, and profoundly human—proving that great stories thrive on characters, not rules.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

Why a Third Act Problem Is a First Act Problem - Heretic Analysis

Horror fans, take note: Heretic, A24’s latest psychological thriller-turned-slasher, takes bold swings—and misses just as boldly. Its opening act hooks you with taut, cerebral tension, only to unravel in a finale that swaps smarts for blood-soaked mediocrity. A lesson to be learned: a strong setup means nothing without a satisfying resolution.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

Why 'A Real Pain' Must Win Best Original Screenplay

A Real Pain isn't just a movie; it's a masterclass in weaponizing awkwardness and existential dread for peak entertainment. Jesse Eisenberg takes the "odd couple on a journey" trope and injects it with razor-sharp wit, emotional gut punches, and secondhand embarrassment that makes you want to curl up and die (in the best way). It's like if Seinfeld and Schindler's List had a deeply neurotic baby—and somehow, it works.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

WHY ARE WE NOT ENTERTAINED? GLADIATOR II DOESN’T DO ENOUGH 

Explore the highs and lows of Gladiator II in this detailed breakdown of its screenplay and storytelling choices. From its strengths, like Pedro Pascal's compelling performance as Acacius, to its shortcomings, including the protagonist's lack of agency, discover why this sequel struggles to live up to its legendary predecessor.

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Analysis Meara Owen-Griffiths Analysis Meara Owen-Griffiths

HOW JOHN HUGHES DEFINED THANKSGIVING

A scene-by-scene analysis of how John Hughes' "Planes, Trains & Automobiles" became the definitive Thanksgiving movie, comparing the original script to the film and exploring why this odd-couple journey still resonates after 37 years.

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