Back Rooms is a hell of a debut, but is its second half playing it too safe? Danny breaks down what makes Kane Parsons' liminal horror so unsettling, why it stumbles into over-explaining its own metaphors, and how a page from David Lynch's Inland Empire could've made Clark's descent into the back rooms even more devastating. Spoilers ahead.

Domestic Bliss wins Kinolime's South Asia Shorts Competition. On the Subarnarekha river, boat driver Bikash chases concrete wealth while tribal vendor Baha honors her roots. When a bridge destroys his livelihood and she finds independence, their love fractures between modernity and tradition. A masterwork of understated devastation.

Veteran producer Mike Gabrawy shares what he saw at the 2025 Cannes Film Market and why the indie film industry finally feels hopeful again. From the breakout success of micro-budget films like Obsession and Iron Lung to the collapse of pre-sales and the rise of self-distribution, Mike breaks down what's working now, and why original storytelling and finding your audience are the keys to survival.

In this episode of the Kinolime Podcast, Meara breaks down why the 1984 Supergirl film crashed and burned. Instead of a fetch quest where Kara stumbles through a boarding school, he argues the film needed a clear emotional journey, a protagonist desperate to prove herself beyond her cousin's shadow. By focusing on her internal conflict, the story could become a powerful exploration of identity and respect.

Screenwriter Zach Morrison proves you don't need a studio greenlight to make television. From interning at Late Night with Seth Meyers, The Tonight Show, and SNL to independently raising $300K for his TV pilot, Morrison reveals the exact strategies for building industry relationships, securing indie financing, and surviving today's broken development system.

In this episode of the Kinolime Screenwriting Podcast, Danny breaks down how Michael could have been a stronger biopic. Instead of a career highlight reel, he argues the film needed clearer conflict, deeper family dynamics, and a more active Michael at its center. By focusing on his wants, wounds, isolation, and need to be loved, the story could become a more powerful portrait of fame.

Danny and Meara dive into Obsession, the low-budget horror breakout that has everyone talking. From its unsettling premise and standout performances to its questions about desire, control, agency, and the future of internet-era horror, this episode unpacks what makes the film so exciting, disturbing, and divisive.

Congratulations to Kathryn Zizek, winner of the 2026 Kinolime Feature Film Competition for her horror mystery thriller Due. Years after a mysterious deal made during a near-fatal overdose, a new mother faces a shapeshifting entity that has returned to claim what it is owed. Thank you to every Kinolimer who read, watched, voted, and helped choose this year’s winning script.

Our first-ever South Asia Shorts Competition has reached its Top 10. Now, the judges begin the difficult task of choosing the three scripts that will move forward. Follow the decisions live on our website and see how your favorite story is holding up in the race to the Top 3.

Mob Mentality, the 2025 Kinolime Competition winner, has officially found its director: William Groebe. Known for his work in animation, visual effects, and storyboarding, William brings a sharp visual eye and impressive experience to this bold comedy about a thirteen-year-old suburban kid convinced he is the reincarnation of John Gotti. With William attached, Mob Mentality takes its next exciting step toward the screen.

The Judges have spoken and The Top 3 of the Kinolime Feature Film Competition 2026 are here. Thrilling, action packed, and most importantly, waiting for your vote. Read, vote, discuss, who will be crowned the winner?

John and Danny dive into one of the year’s most divisive films: Michael. What begins as a debate about the Michael Jackson biopic quickly expands into a larger conversation about nostalgia, modern musical biopics, and whether these films are still true character dramas or have become theatrical fan experiences. From storytelling and performance to controversy and box office success, the two break down what screenwriters can learn from one of the most talked-about movies of the year.

The scripts are in, and the next stage is in the community’s hands. After hundreds of submissions from across South Asia and the diaspora, the Top 26 scripts of the 2026 South Asia Shorts Competition have officially been selected. Now it’s time to read, vote, and help decide which stories move into the Top 10. From intimate character dramas to bold original concepts, these shortlisted scripts showcase the incredible range of voices shaping the future of South Asian cinema.

Kole Landon-Lee, creator of Screenwriting in LA, joins John and Danny for an honest conversation about creativity, depression, filmmaking, and building one of the biggest screenwriting communities online. From moving to LA with nothing to rediscovering his passion through cinema and social media, Kole shares the reality of chasing a creative life, the power of authenticity, and why community matters more than connections.

What really happens after you submit your script? In this episode, professional readers break down how scripts are evaluated across competitions, agencies, and production companies. From formatting and first impressions to character, clarity, and emotional impact, they reveal what makes a screenplay stand out and why some scripts move forward while others don’t.

After five weeks of reading, debating, and voting, the community has chosen the Top 10 scripts from this year’s Feature Competition. Now, the judges take over to select the Top 3 by May 17, before the final vote returns to you. From thousands of entries, we’re one step away from crowning the 2026 winner.

From Nigeria to South Africa, director Adze Ugah shares his journey into filmmaking and the lessons that shaped his voice. In this episode, we explore storytelling, resilience, and why authenticity matters. From VHS tapes to directing Shaka and Something Like Molasses (Kinolime Production), this is a conversation about craft, courage, and putting yourself into the story.

On this week’s Kinolime Podcast, John and Danny explore the legacy of Warner Bros., one of the greatest studios in film history. From Casablanca to The Dark Knight, they revisit the films and filmmakers that defined its identity, while reflecting on its uncertain future. They also share ten essential screenplays and make a case for bold, original storytelling.

John and Danny break down Hemingway’s Iceberg Theory and what it means for your screenplay. From subtext and hidden character wounds to writing without exposition, they explore how great stories reveal meaning beneath the surface. Using examples like No Country for Old Men and Zodiac, this episode offers practical tools to help you write with more depth, restraint, and emotional impact.